Dreaming in earnest
A young Tibetan filmmaker from New York in India to produce a documentary on the Tibetan political prisoners remarks on her feelings of displacement in a foreign land that she seems to be "dreaming Lhasa." Karma's imaginary capital city is to this film what the film was to its makers - an object of intense interest just beyond reach.
Wife/husband production team Ritu Sarin and Tenzing Sonam have been making documentary films for more than a decade, with perhaps the idea of a feature film always out there on the edge of their ambition. For untested directors using an untested Indian/Tibetan crew with non-professional actors, they've reaped a remarkable return on their investment in a dream.
The story itself is quite simple, about an exile Tibetan in Dharamsala to make a documentary on the Tibetan diaspora. Karma becomes involved in the quest of one of her subjects, a former political prisoner who has come from Tibet to deliver a sacred object to a man about...
lives torn asunder by violence and repression
***1/2
In "Dreaming Lhasa," a young American filmmaker goes to India to make a documentary on the Tibetan monks who have been living in exile in that country ever since the Chinese invaded their nation and overthrew the Dalai Lama nearly sixty years ago. A Tibetan native herself, Kharma temporarily puts her film on hold so that she can help one of the refugees in the area locate the whereabouts of another monk who disappeared during a protest rally in 1987.
Though "Dreaming Lhasa" feels only half-formed at times in terms of storytelling and characterization, the unhurried, contemplative rhythm of the film nicely captures the flavor of the setting and the nature of the theme. While Tenzin Chokyi Gyatso occasionally lacks projection and confidence as an actress (though at times she is very good), Jampa Kalsang, the actor playing the monk, centers the movie with his quiet stoicism and gravity.
This heartrending subject could probably do with a more...
an excellent film
i really enjoyed this film and to think that only one professional actor was used is amazing-the lead actress isn't even an actress-she's a banker of all things-the film illuminated a real issue-the situation of Tibetan refugees- and it did so in a non-preachy way-it was in the context of a mystery/romance/semi documentary which did not come across as the usual patronizing view of Buddhists as nice little pacifists(they aren't)-the Chinese weren't demonized as people -just the communist regime,which is really evil and always has been-this film was definitely a "watch again" effort that is well worth purchasing
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